RECURSOS FOTOGRÁFICOS EN EL CINE DE WES ANDERSON. EL CASO DE ‘THE FRENCH DISPATCH’
نویسندگان
چکیده
The connections between photography and film are located at an interdisciplinary intersection of the artistic languages both media, simultaneously opposed complementary. In this paper, we approach as a filmic resource tied to detention time creation individual collective memories in cinematic discourse. Specifically, aim examine link cinema Wes Anderson's work, taking his latest film, French Dispatch (2021), case study. Based on previous work by other authors, model analysis chart applicable any has been developed, which allowed us distinguish photographic resources used Anderson feature examined. From latter, it stands out consideration constitutive essence through elements mise-en-scène. shows that use is frequent narrative films part mise-enabyme self-consciousness representation, while same presenting semiotic implications relation memory time.
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ژورنال
عنوان ژورنال: Index Comunicación
سال: 2023
ISSN: ['2174-1859', '2444-3239']
DOI: https://doi.org/10.33732/ixc/13/01recurs